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Harold Budd - In The Mist mp3 download

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Harold Budd - In The Mist mp3 download

Performer: Harold Budd
Title: In The Mist
Released: 2011
Country: US
Style: Modern Classical, Ambient, Minimal
Category: Electronic
Album rating: 4.8
Votes: 731
Size MP3: 1205 mb
Size FLAC: 1581 mb
Size WMA: 1387 mb
Other formats: VOC AU MIDI AHX AC3 MPC AIFF

Harold Budd - In The Mist mp3 download

Tracklist

The Whispers
1 Haru Spring 4:42
2 The Whispers 2:43
3 The Startled 2:18
4 The Foundry (For Mika Vainio) 4:45
5 The Art Of Mirrors (After Derek Jarman) 5:58
Gunfighters
6 Three-Fingered Jack 2:46
7 Greek George 5:50
8 Black Bart 3:11
Shadows
9 Come Back To Me In Dreams 2:03
10 Parallel Night 3:34
11 Sun At 6 Windows 3:09
12 The Panther Of Small Favors 2:17
13 Mars And The Artist (After Cy Twombly) 1:46

Companies, etc.

  • Recorded At – Orangewood Studio
  • Mixed At – Orangewood Studio
  • Copyright (c) – Darla Records
  • Phonographic Copyright (p) – Toyon Music
  • Manufactured By – Disc Makers – MVG0108

Credits

  • Cello – Richard Bock (tracks: 9 to 13)
  • Composed By, Photography – Harold Budd
  • Recorded By, Mixed By – Michael Coleman
  • Viola – Peter Rosato (tracks: 9 to 13)
  • Violin – Hisami Iijima (tracks: 9 to 13), Linda J. Lambie (tracks: 9 to 13)

Notes

Recorded and mixed in Mesa, Arizona, March 2011.
Special thanks: Cameron Allan, Linda J. Lambie.

Packaged in digipak cover.

Barcode and Other Identifiers

  • Barcode (Text): 7 08527 02482 9
  • Matrix / Runout: MVG0108
  • Mastering SID Code: IFPI ALK09
  • Mould SID Code: IFPI UU012

Other versions

Category Artist Title (Format) Label Category Country Year
none Harold Budd In The Mist ‎(13xFile, MP3, Album, 320) Darla Records none US 2011
DRL248-1 Harold Budd In The Mist ‎(2xLP, Album) Darla Records DRL248-1 US 2012


Comments:

Bolanim
Beautiful. Cannot think of any other words other than 'beautiful'.
Vojar
An above average Harold Budd release this. As usual the melodies are slow and sparse and the creation of a 'mood' or 'ambiance' is good. Effects are kept to a minimum, which helps to allay the feeling the artist is trying to create "effect for effect's sake". The main effect is the use of 'wow' or subtle pitch shifting on a tonally dark yet closely mic'd piano. The last few tracks are exclusively string quartet pieces, and very good, again the acoustic is subtly manipulated to be veiled and distant at the same time. All in all, pretty sumptuous stuff for a "non collaboration".

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